“The first truly modern American Western.”
- David Ehrlich, Indiewire
“As excellent as Evans was as Cap, Mackie’s shown equal skill in crafting his own version of what that character should mean – in his case, weathering the pressures and politics of being a national symbol and being as adept with his words as his fists.”
- Brian Truitt, USA TODAY
“Robert Eggers continues his impressive streak of crafting highly detailed and transportive period films with NOSFERATU, one of the most seductively macabre films ever made.”
- Matt Neglia, Next Best Picture
“This is an utterly absorbing film, a story that Scorsese sees as a secret history of American power, a hidden violence epidemic polluting the water table of humanity.”
- Peter Bradshaw, The Guardian
“A taut and terrifying portrait of courage under fire.”
- Nick Schager, The Daily Beast
“If you’re willing to dig past The Monkey’s blood and guts, you’ll find a thoughtful inquiry into the very different lives of people depending on their response and disposition toward the random, inordinate, and callous suffering around us.”
- Zachary Lee, Chicago Reader
“Lavishly made, endlessly beautiful to watch and substantive enough to make you care, this is fantasy at its absolute highest level.”
- Helen O’Hara, Empire Magazine
“A fairy tale — or at least a version of one — shatters into a million tiny pieces in ANORA...”
- Adam Graham, Detroit News
“By the time Day One reaches its beautifully rendered and deeply moving conclusion, we're all in.”
- Richard Roeper, Chicago Sun-Times
“Beau Is Afraid is abrasive and dense, but that’s to be saluted. Aster is cashing in on the success of his first two films to create something daringly vulnerable for a wide audience.”
- David Sims, The Atlantic
“It’s so earnest, bringing notes of freshness and innocence to a prequel that, by all rights, shouldn’t have had any.”
- Matt Zoller Seitz, RogerEbert.com
“Echo is the antidote to Marvel malaise. The series brings the franchise into a new future by calling back to a brutal, neck-snapping era of TV that makes Echo feel like it’s lifted straight from the early 2000s.”
- Dais Johnston, Inverse
“A death-metal ode to honor, retribution and sacrifice that casts payback in a surprisingly, and thrillingly, positive light.”
- Nick Schager, The Daily Beast
“Spider-Man is always best on the back foot, and this film puts him thoroughly through the wringer. But it also gives him room to shine, and packs an emotional punch that could floor any of his villains.”
- Helen O’Hara, Time Out
“It’s fantasy writ exhilaratingly large, although at the start, what’s so impressive about showrunners J.D. Payne and Patrick McKay’s streaming effort is its balance between the glorious and the vile, the romantic and the brutal, the euphoric and the despairing, and the grand and the intimate.”
- Nick Schager, Daily Beast
“The heart of “Mutant Mayhem” is pure, and the look of it is sprightly and unique, making it a worthy new addition to a franchise that clearly still has new stories to tell.”
- Kate Erbland, Indiewire
“In lieu of hero-buildling and stylized violence, David Lowery's take on Arthurian legend invites you to soak in its vibes and chew the scenery.”
- Charles Bramesco, Inside Hook
“A breathless, gravity and logic-defying sequel.”
- Tomris Laffly, RogerEbert.com
“Lamb is a disturbing experience but also a highly original take on the anxieties of being a parent, a tale in which nature plus nurture yields a nightmare.”
- David Rooney, The Hollywood Reporter
“The smartest, funniest and stabbiest film since the 1996 original, it does feel as though Scream has come full circle...”
- Wendy Ide, Observer
“Wrath of Man: a Jason Statham movie directed by Guy Ritchie. Check. A revenge thriller wearing the clothes of a heist thriller: a savory treat-within-a-treat, like a bacon-wrapped sausage. Check, check.”
- K. Austin Collins, Rolling Stone
“Netflix’s most expensive movie ever is big, dumb, and lots of fun.”
- Nick Schager, Daily Beast
“The longer the film goes on, the weirder it gets.” - Danny Leigh, Financial Times
“Rambo: Last Blood is a brutal way to say goodbye to an iconic action hero, covering topics and containing scenes that are almost difficult to stomach.” - Damond Fudge, KCCI Iowa
“Hereditary raises the bar on emotional agony. If you want to see things you can never un-see and feel pain you can never un-feel, here’s the ultimate test.” - Dan Edelstein, Vulture
“Loaded with dark humor, demonic incantations and buckets of blood, all hallmarks of his storied film career, de la Iglesia’s series sees ex-boxer and disgraced priest Padre Vergara team with local mayor Paco and veterinarian Elena to combat the combined forces of hell and a clandestine religious organization looking to collect the 30 pieces of silver Judas was paid after turning on Jesus in his final days.“
- Jamie Lang, Variety
“Reeves and Dacascos's brutal, climactic sparring session definitely leaves us wanting more, not to mention wondering about a potential Oscars sound editing category for shattering glass.” - Tom Russo, Boston Globe
“The best of the …Has Fallen series.” - David Nusair, Reel Film Reviews
“As the eighth installment in an ancient boxing franchise, Creed II should not be this good. Yet at times it is flat-out thrilling.” - Kevin Maher, The Times
“The dead don't always have it this good.” - Adam Graham, Detroit News
“This sequel to Sicario, starring Benicio Del Toro and Josh Brolin, is also a geopolitical action thriller and a samurai picture.” - AO Scott, The New York Times
“Filled with shocking, racially and politically charged imagery, it's a film that doesn't hold anything back, but maybe that's what we need right now.” - Dan Tabor, Phawker
